
Turandot - Wikipedia
Turandot (Italian pronunciation: [turanˈdo] [1][2] or, prescribed, [turanˈdɔt] ⓘ; [3][4] see below) is an opera in three acts by Giacomo Puccini to a libretto in Italian by Giuseppe Adami and Renato Simoni. …
Turandot : Synopsis, Songs & More - ENO
Find out more about Giacomo Puccini’s magnificent opera, Turandot, including the story, pronunciation, summary & running time, here.
Turandot - The Opera 101
A guide to Giacomo Puccini's mammoth, Ancient China set Turandot. Including Synopsis, Music & Arias, Fun Facts, Running Time and much more!
Turandot | Metropolitan Opera
Tense silence prevails until Calàf triumphantly cries “Turandot!” The crowd erupts in joy, and the princess vainly begs her father not to give her to the stranger. Hoping to win her love, Calàf offers …
Turandot review – Anna Netrebko brings greatness to Royal Opera’s ...
Dec 16, 2025 · But it’s not hard to see why this Turandot keeps on returning. Puccini’s darkest, most ritualistic and choral opera is a showstopper shot through with musical colour, innovation and interest.
Opera Essentials: Turandot
Our quick guide to Giacomo Puccini’s dazzling opera of icy tension and triumphant love. In a world of ancient legend, the beautiful but ruthless Princess Turandot will only marry a man who can correctly …
Synopsis from Turandot from Giacomo Puccini. - Opera Guide
Turandot appears as the guards begin to torture Li and is unable to understand what gives her the strength to endure. Li answers that it is the power of love, which Turandot will soon feel herself.
Turandot - The Kennedy Center
In tears, Turandot reveals that her first glance at the unknown prince filled her with both terror and longing. She begs Calaf to leave with his secret, but he puts his life in her power by telling her his name.
Turandot (Opera) Plot & Characters | StageAgent
Turandot plot summary, character breakdowns, context and analysis, and performance video clips.
Turandot - Puccini Museum
It was Renato Simoni, during a meeting with Puccini and Giuseppe Adami in Milan in March 1920, who suggested the subject for his last opera.